The festival was over, and the populace were leaving. This year, Love Fields laid on a Monday takeaway breakfast. This was new and lined our stomachs for the drive home. I hope they repeat. Except we chose to have a walk around the festival site to see if there were any bargains to be picked up. It was amazing how tidy the site was, hardly any litter on the ground. Too early to see if all the tents were taken home. A dry festival, so there should be no excuse to leave anything behind.
Rod Stewart
Let us hope next year when Rod Stewart plays the Legends Slot, that the weather will be kind.
We picked up a coffee, and some cut price nuts from a vendor. A walk up to the stone circle where some diehards were still sitting around. I stopped to take some more photographs of the ‘Model Glastonbury’ by Bellas’s bridge. I do this most years.
We left and eventually took the queue out of the grounds. At Love fields, because we were in the posh part of the site, we did not have to wait and were quickly on to Pylle Road. Then we stopped, there was the hour drive up Pylle Road, each site and camper van site prioritised their vehicles onto the road. The further we travelled the faster we progressed.
This was the first year I never saw the owners of The Love Fields. Owen was about saying goodbye to the glampers, but we missed him.
Selina and Phil purchased me a bottle of gin from Love Fields, called ‘We are not Worthy‘ gin as a thank you.
Anyway, we have our tickets for next year and will be at Love Fields yet again. Too early to say who is playing, other than Rod Stewart (Legends slot) is confirmed on the Pyramid stage. You can keep a track on festival rumours at the efestivals site. Another excellent site is ClashFinder where Glastonbury is a core listing. I find ClashFinder so much easier to use than the official festival apps. It has an excellent mobile webapp which works without a mobile phone signal. (Assuming you have registered and loaded your itinerary). You can also keep notes on each act you watch, and that information is there for you to review later, and on your laptop or PC. For those who like a hardcopy itinerary, you can print it out.
Another dry morning, though cloudy and not very warm. Not much planned, did walk through the Carhenge and photographed the Car Henge in the daylight instead of the dark.
Good Habits
Walked past the ‘Band Stand’ and spent a while there watching the first couple on, called ‘Good Habits‘. They played the Cello, and Accordion. Because it was early in the morning, very few watching. So sad, quite enjoyable.
Seasick Steve
This must be the fifth time, at least, I have seen Seasick Steve. He attributes his succes to Jules Holland. Seasick Steve was about to give up music and lose his home, when a scout found him and invited him to play on a Jules Holland show. Since thoses days he has been a regular visitor to the UK. He thanked us for our support many times. The changes I have seen over the years are mainly the instruments he plays. In the early days they were totally home constructed string instruments made for garbage. He still plays those, but now much of the music is on proper commercial guitars.
Back at the West Holts stage it was Balming Tiger, a South Korean music collective from Seoul. They sang and danced to a background track.
Steel Pulse
Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They played the West Holts stage in the afternoon. Excellant.
Glastonbury-On-Sea
The pier, Glastonbury-On-Sea has been there for several years, Today was the first time I ventured onto the pier. Seemed to be inhabited by robots. Yes, it was worth the visit, especially as I was walking by and it was not to busy. Some of the arcade entertainment devices were not working, but others were. Fun to watch.
SZA
I decided to see SZA. Found a reasonable spot between the sound mixers. I am afraid I was not impressed. It seemed a very strange headline act. The large number of people leaving the show was very noticeable. Indeed, I did not wait until the end and headed off. The stage backdrops were very impressive, but I could not get to like her songs which appeared disjointed. Not the best headliner for the final act on the Pyramid Stage. A huge disappointment.
Another dry morning, and after breakfast headed over to the West Holts stage to see an Irish band called Kneecap
Kneecap
I lasted 10 minutes with this Northern Ireland band, not my cup of tea, I couldn’t understand a word they sang or said. Not at all sure why they have a big following. So back to Pyramid via the Theatre and Circus area to see Ayra Star
Ayra Star
At the Pyramid stage I watched Ayra Star with her 10 backing singers. Very beautiful to watch, but not my style of singing.
Alogte Oho & His Sounds of Joy
Now at the West Holts stage to watch Alogte Oho & His Sounds of Joy. They are a Ghanian group, singing gospel, It improved as the set went on. I did leave a little early so I could see the Last Dinner Party at the Other stage.
Last Dinner Party
Saw the ‘Last Dinner Party’ last year when they were playing the first set at ‘Woodsies’ on Saturday. Now they have been promoted to the “Other Stage”. Missed the first part of their set, but made it to listen to quite a few songs. Excellent as before, especially now I can sing along to the chorus of ‘Nothing Matters‘
Circus Funtasia
Decided to watch Circus Funtasia, Selina had mentioned it from the previous day. The five motor bikes driving around the inside of a sphere was interesting. The next act, close to my heart, the man on stilts with chain saw.
Coldplay
Watched Coldplay with Selina and Phil. We were far back, so no chance of seeing Coldplay in the flesh, especially with the array of flags. A good crown around us enjoying the event with dancing around us, including a Scottish guy in kilt. Selina appears in the video below.
Another dry day in the paradise city of Glastonbury Festival, the seventh largest city in the south of England, after London, Bristol, Southampton, Portsmouth, Plymouth and Brighton. Alas not as warm, and now it was cloudy. Found another Polestar 2 parked in The Love Fields, they must have arrived on Thursday. I rushed out after breakfast to see the first band on stage at Woodsies. I arrived early and had to wait to get in. There was a talk about cosmology given by Brian Cox at The Tree. I listened to this while waiting for the Voice of Baceprot to appear.
Voice of Braceprot
The Voice of Braceprot are an all-female metal band from the Philippines. They were all dressed in black hijab. They explained how they were hated for the music they played. They considered metal was just like any other music, but more enjoyable to play and listen to. It was an enjoyable set, played with precision, but lacking a little bit of soul.
Lambrini Girls
Next up was a three woman queer punk band called the Lambrini Girls. The lead singer took crowd surfing to the next level and spent most of her time in the crowd. Plenty of energy and heart in this band. Quite enjoyed the atmosphere.
Squid
I walked over to West Holts for a Brothers cider and to watch Squid. Close to the front. The drummer is the vocalist, I managed to get onto the BBC TV. I have not heard this band before, but it is well worth listening to.
Vaccines
Back over to Woodies to see The Vaccines play.
Danny Brown
Walked back to West Holts (yes I was already to 10,000 steps) and was met by a mass of people leaving. The Sugababes had just finished. It was chaotic, so I chose a nearby food stall, and ordered and ate supper until the Exodus had completed. Chose to watch Danny Brown an America rapper. I wanted to be at the front for the next band.
Heilung
I was at the front for Heilung. A very strange act. More like a religious ritual than music. They had also played at Download, but I had decided not to hear them there because they were on at Glastonbury. The base drumbeat was exceptionally loud, I and the other guys I was standing with asked (signed) for earplugs from security. The loud deep base is unfortunately not evident in the soundtrack of the video. I quite enjoyed listening to them after the pain had been reduced by earplugs. This video is not suitable to being published on Facebook who have a censorship policy of female bodies.
Fulu Miziki
I decided not to see the headline on West Holts (Jungle) or the Pyramid (Dua Lipa), or the Other Stage (Idles). The Other stage was the hardest, I love the Idles, and I therefore I missed the Banksy migrant inflatable boat. Instead I watched a short set of Fulu Miziki at Car Henge before popping over to Arcadia for Fatboy Slim.
Fulu Miziki was all I was expecting, a percussion set on mainly odd bits of recycle materials.
Arcadia
I headed over to Arcadia, I had missed Arcadia for a few years, not because of trying but because of the huge crowds and congestion. I was going to get there before the main acts had finished. On the way I paused on the rail track to look at the Other Stage and the Idles. I was tempted to stay but decided to head on to Arcadia.
Arcadia had been refreshed, the dock crane had gone, and instead there was a dragonfly in its place. The flames were still there, and so were the crowds. This is one of many places for dance music, fire and light shows,
The Hive
After Fat Boy Slim, I headed towards the Silver Hayes, in the hope of meeting with Ed, or Jon but found the Silver Hayes area was totally packed out, with no entry signs, I instead managed to find a small stage, The Hive where N’FAMADY KOUYATÉ was performing. I had seen him more than once last year at Glastonbury, and at the Cambridge Folk Festival the year before. He was his usual best.
Now it was back to The Love Fields but stopping by at Carhenge where Fulu Miziki were yet again preforming. This time on a trailer stage which started to move away at the end of their show.
The day started with a good breakfast at The Love Fields. Lots of tea and coffee, bacon and eggs, cereal, and pastries. As we left, I did notice it was worth eating early, we missed the queues which had built up.
Joe Wicks
First event of the day for us was Joe Wicks. Selina and I joined the crowd to work out for 30 minutes. We didn’t join the queue for the selfie afterwards. There were several hundred exercising, the crowds stretched all the way back to the arch between the Circus and Cabaret fields. While we were exercising, Phil chatted to a couple of Glastonbury volunteers. We kept bumping into them throughout the event, and it wasn’t as if they worked in the Cabaret field.
Greenfields
Afterwards we all headed to Greenfields, which is very crowded on the Wednesdays and Thursdays. It is crowded because the area is running talks, craft tutorials, alternative technologies, and massages, while the main stages are not fully running until Friday. We listened to a talk about Hydrogen power and watched a small rocket being created and fuelled by hydrogen which was electrolysed from water.
A walk around the Stone Circle, exploring the hedges in the hope of spotting the location of the Piano Bar. We did see the dragons in the stream.
Walked around the craft areas, Selina went back at a later time to do some willow work.
Micheal Eavis
We split up, and I saw Michael Eavis on the Park stage singing ‘ My Way’ and others.
Jordan Watson at the Terminal
We all joined up again and visited Williams Green. I was always hopeful of hearing Fulu Miziki, but missed them again. We joined this long queue which would take us into this building where we thought there would be a good view of the site. The wait was ages, very slow moving and only a few people let in at a time. I assumed it was Health and Saftey running amock. Turned out that this was an art installation called The Terminal by Jordan Watson. It is an immersive art installation at Glastonbury Festival that parodied the UK’s immigration process. We were required to answer questions from “border force agents” and pass a UK citizenship test to gain entry. The installation featured a repurposed airport terminal with airport seats dotted with spikes, adding to the discomfort and highlighting the challenges faced by immigrants. At one stage we had to remove our shoes and walk over sharp stones.
On Wednesday, I set off to the Glastonbury Festival 2024, I was taking Selina and Phil to the festival. The first time for Phil, the third time for Selina (98, 99, 24) and the fourteenth time for me (98, 99, 09, 10, 11, 13, 14, 15, 16, 17, 19, 22, 23, 24). The only gap for me was between 1999 and 2009. The other gaps in the years were when Glastonbury had a fallow year or Covid circulated. We were going to be staying at a glamping site called Love Fields.
We set of at 10.30, stopping at Starbucks near Frome, intention of charging the car with some free BP electricity. Alas all chargers were in use. Arrived at The Love Fields just before 2. A note to myself, ignore Google Maps, it will see the holdups on the main roads around Glastonbury, and attempt to find a quicker route, this inevitably will take you down small single-track roads, and roads that are closed to non-residents during the festival.
I had booked a large Ash Yurt at The Love Fields for the three of us. This is in the VIP area, where there is a selection of accommodation at different costs. There are several bars in the VIP area, and other bars outside the VIP area, but still in Love Fields. There are a couple of stages are in the area, with some bands playing both here and in the main Glastonbury festival. I have always wondered if you could come to The Love Fields and not attend Glastonbury Festival.
The yurt came with electricity and double bed for Selina and Phil, and a single for me. Checking in was quick and easy, driving down to the yurt to unload, and then taking the car back the car park. Slight irritation was by the Friday, the parking was full, and some vehicles were parked in the driveways. We picked up our wrist bands and guides from reception. The glamping site is very convenient to the festival. Straight out of Love Fields and you are at Pedestrian Gate C to the festival. It is also not far to walk to the Pyramid stage. Many staying at the festival site would have a longer walk than us.
Not many bands are playing on the Wednesday, it’s an arrival day. We did go for a walk around the site so Phil and Selina could get their bearings. Met up with Ed for a pint at the Stonebridge bar and headed back to Love Fields to watch the fireworks. Missed Mary, she was initially coming to work, but unfortunately her brother had an accident a few days before, so she stayed behind to look after him.
There is an excellent view of the fireworks from Love Fields. We also got to see the drone display, a first for Glastonbury. To see this, we had to be in the upstairs bar in the “Barn”. I had a Negroni here, but timeline is hazy.
Afterward the fireworks I went for a walk around the site, visiting the Avalon bar, the Ribbon Tower, and then I headed over to Woodsies stage to see the new Tree Stage. Then it was back through the Wood, walking through the trees on a platform. Final walk back to Carhenge to see Fulu Miziki. A Congolese band that makes music from rubbish. Somehow missed them, but they are on again. Good to see Car Henge in the dark. Fabulous use of old American gas guzzling icons set up in the formation of Stone Henge. A nod to the origins of the new age travellers influence on Glastonbury. They had been cast out from Stone Henge in the Battle of Beanfield in 1985 .
This Wednesday, the weather was kind. It was sunny and warm. There had been several days break in the wet weather (we had been soaked at Download), and we were not going to receive any rain this weekend. There had been quite a lot of rain in the preceding weeks, but thankfully it had stopped, and the land had dried out to a considerable extent. Unfortunately, in preparation for continued rain, all the main stages had wood chippings laid out. This meant there was no lovely grass to sit down on at the West Holts stage.
It had been a lovely start to Glastonbury Festival 2024
Video from The Love Fields of the Glastonbury 2024 drone display.
Rosemary and I embarked on our annual pilgrimage to the Glastonbury Abbey Extravaganza, this time with a twist—a pre-concert camping adventure near the charming village of Priddy. Nestled in the Cheddar Gorge, the Cheddar Camping and Caravanning offered was complete with freshly baked pastries available each morning. Priddy itself beckoned with its quaint pub and hidden charm, while a longer-than-planned afternoon hike (much to Rosemary’s initial chagrin) led me to the mouth of a mysterious cave system – a tantalizing glimpse into the subterranean world below.
Friday saw us driving through the dramatic Cheddar Gorge, past Deerleap Viewpoint with its stunning vista of Glastonbury Tor, before stocking up at Waitrose in Wells and settling into our temporary Glastonbury Abbey Extravaganza campsite beneath the imposing Tor. The heavens unleashed their fury, sending some neighbours packing, but we weathered the storm, comforted by Google’s promise of sunshine for the concert.
Saturday in Glastonbury was a treasure trove of second-hand finds and antiquarian gems. We secured a pre-packed picnic supper for the evening at a local bakery. Decided we wouldn’t do so again. After a good lunch at The George and Pilgrims, we joined the throngs entering the Abbey grounds, securing a prime spot near a crowd-cutting footpath. As the clouds parted, the setting sun painted the sky in fiery hues. The Wells City Band entertained us first with their brassy brilliance, followed by the upbeat rhythm of Lightning Seeds and their anthem, Three Lions. Finally, the Scottish powerhouse Texas. Shame on me for not knowing their roots ran north of the border! The fireworks erupted in a finale of dazzling colour, and we cheered along with the ecstatic crowd before catching the coach back to camp.
Video
The Lightening Seeds, Texas and the firework display.
This was my 13th Glastonbury Festival. I first started going to Glastonbury in 1998, and then 1999. I still have the T-shirts which I wore to Glastonbury. A few suitable comments were made by other festival goers. I took a break for a few years and started attending again. I’ve been to every Glastonbury held since 2009. The Glastonbury Festivals I have been to are 1998, 1999, 2009, 2010, 2011, 2013, 2014 ,2015, 2016, 2017, 2019, 2022, 2023.
This year was another dry Glastonbury. A week or so before Glastonbury, showers were expected during the show. As the date neared, the rain disappeared from the forecasts. Those who arrived on Tuesday were rained upon. I arrived on Wednesday, and it was dry and hot throughout the whole festival, with only one exception of a very small shower early on Monday morning.
I drove to Glastonbury in my EV on Wednesday, arriving in the early afternoon. Stopped for a coffee and a quick charge on route. The Blue route, taken by campervans, was empty with no delays. I arrived at Love Fields and was soon installed in my yurt. Love Fields has installed a large building, called The Barn, replacing the Teepee for breakfasts and meals. Breakfasts served downstairs, and cocktails upstairs. The bar and stage area lower down the fields were still in place.
Met up with Ed, Mary, her brother, and Jon while they were still on shift at the Silver Hayes area. Afterwards we had a few drinks, and then watched the opening fireworks. This evening we wandered around spending time in the Green Fields. I was back in Love Fields at 4am.
Thursday
Some bands were playing today in the small venues. I started off at the Rabbit Hole, watching Prima Queen, and then spent most of my time at the Bread and Roses, listening to small bands, such as Duo, The Love Buzz, Frankie Morrow, N’Famady Kouyate. I rushed over to the Southwest corner to see some metal, but the place was so packed I gave up and returned to the principal areas. It’s a shame I somehow missed the Vlure playing at Bread and Roses. Not to worry, the Glasgow band was playing again on another day.
Friday
The main days of the festival open. I started off with an exercise class run by Joe Wicks. Twenty-five minutes, plus a warmup session beforehand. I met up with Ed and Mary, it was their day off. After a while I went my own way and headed to West Holts stage. It is my favourite area, good cider, decent food and good music. I watched Louis Cole, Young Fathers and the headline act Kelis.
Saturday
The first band of the day was The Last Dinner Party at Woodsies (the new name for the John Peel Stage). Here I met Mark and his daughter. They were standing two rows in front of me. After this show I rushed back to the Greenpeace Stage to watch N’Famady Kouyate., again. He was playing five shows during Glastonbury and had won the emerging talent show at the Pilton Working Mens Club. Then it was Sudan Archives before rushing over to see Vlure at BBC Introducing. At the Other Stage, I watched the Manic Street Preachers, Plenty of room. Next for me was Guns and Roses on the Pyramid stage. I was disheartened because the area looked full for Lizzo. But after Lizzo finished, space opened up and I was able to find room in front of the barrier. Despite the reviews, the show was enjoyable, the crowd were ecstatic. Rumours circulated that Paul McCartney may come on to sing Live and Let Die. This did not happen. Shame it would have been a nice touch. After the headline act, I went on over to The Glade to watch the The Steve Hillage Band.
Sunday
Already I was nearing the end of the festival. First off was a hike up to the Crow’s Nest to see Professor Alice Robers with Rebecca Wragg Sykes talk about early humans and archaeology. Now back to normal, The Chicks at the Pyramid Stage, Bird on the Wire: The Songs of Leonard Cohen at the Acoustic Stage, followed by a fabulous show by Toyah Willcox and Robert Fripp. I wasn’t going to miss the Mongolian Metal band, The Hu, at the West Holts. Saw them at Download. I then watched Barrington Levy at West Holts and headed over to the Other Stage to see the end of The War On Drugs and finally Queens of the Stone Age. It was a shame for the The War On Drugs, when so many people left to get to the Pyramid Stage to watch Elton John. Queens of the Stone Age were excellent.
Monday
Pack up and leave. Join the queue on Pylle Road. This can be slow as the mobile homes are allowed out onto the road from the same exit. It took me an hour to go the few miles. Once I was on the A37, there was no problem. I did hear that some people leaving the festival from the main car parks were held up for 7 hours. I count myself lucky. What I don’t understand is that despite all the walking, I seemed to put on a kilo.
We have been visiting Glastonbury Abbey Extravaganza for several years, missing the COVID years when music festivals were forbidden. R enjoys it, camping for two nights, and a half day of music is enough for her. The campsite is getting busier, the early arriving vans were packed tight to ensure there was enough room for all the booked vans. Those arriving later had more than enough room and were spaced further apart. Tents are now in a different field, and cars parked in yet another area.
It is a basic site, there are the Glastonbury Festival long drops, a breakfast van, and water points and a hand basin. So, Friday was the drive to Glastonbury, parking and (much against my better judgement) decorating the van. I walked up the Tor for a pleasant view of Hinkley Point nuclear power stations and the world’s largest crane called “Big Karl”. This year I also managed to see the Pyramid Stage. On previous occasions I had not looked in the correct direction.
Saturday, the day of the Extravaganza, we walked into Glastonbury along the main road, and then up Wells Road to the East of the Abbey grounds. Along Abbey Road there are quite a few stone plaques describing the history of strategic locations. We walked along the High Street visiting some of the shops, having a coffee and ordering an Italian picnic box for supper. We made our traditional visit to the “The Who’d A Thought It” pub for lunch. There is a lovely mural painted on the wall of the house opposite. So much detail goes into the picture. You also have the odd procession walking down the street to complete the Glastonbury scene.
We queued early for entrance to the Extravaganza, so we could get a reasonable position, once our place had been located in the queue, I went back to the Italian Deli and picked up our supper box.
Once inside we seated ourselves a little distance back from the stage, located along the path which goes from one side to the other. Spectators around us were setting up huge meals and breaking open the bubbly. We consumed a few pints of beer and Pims from the bar.
The music started with the Black Dyke Band, followed by Seasick Steve and then Paloma Faith. She did turn up to sing this year. Paloma had been booked to play in 2018. She had turned up but did not perform because of laryngitis when Michael Eavis flew in Tom Odell. an excellent replacement. He had been called up during a family BBQ supper and flown by helicopter to Glastonbury. R not keen on Ms Faith, preferring Tom Odell & Rodney Branigan.
The usual firework display finished the evening’s entertainment, and then we were whisked off by coach back to to the campsite.
Next day, I was up at 4am to walk up Glastonbury Tor to catch the sunrise and hopefully to meet Michelle Cowbourne a photographer, who walks up there most days to photograph the sunrise. I did not find her, she had been there, but from lower down the Tor. There were many people there waiting for sunrise. It was a lovely morning, mist in the fields with the golden orb of the sun shining.
I departed and made my way back down for breakfast.
We packed up quickly and headed over to see Sue and Ken for lunch. Being a tad early we made a short visit to a National Trust house called Lytes Cary Manor. It is a house you can hire as a holiday let but it does allow visitors around the gardens and chapel. It was a short visit, so we were soon on our way for lunch at the Old Inn.
Glastonbury festival goes so fast. This was already the last day. I had heard that George Ezra was doing a ‘secret set’ on the John Peel Stage. He was the third band playing. I wanted to see him and get up close, so decided to head on over there and watch the previous two bands. I did not want a repeat of Thursday where I had tried to get to see Bastille at Williams Green and failed to even get into Williams Green.
Just Mustard, John Peel 11:15 12:00
I arrived at the John Peel Stage and managed to get to the crowd barrier at the front of the stage, slightly to the right. I should get an excellent view from here. I had to watch Just Mustard play, a band from Dundalk in Ireland.
Sports Team, John Peel 12:30 13:30
The next band was Sports Team, an alternative rock band based in London. They met while they were studying at the University of Cambridge, often playing at the Portland Arms. The lead vocalist Alex Rice managed some crowd surfing and climbing the tent support. A remarkably interesting act.
George Ezra, John Peel 14:00 15:00
Now it was George Ezra. I was slightly pissed off because about 60 George Ezra groupies were herded into the photographers’ pit, with the barrier being moved towards the centre of the stage. My view was now restricted! Damn. His set was fine, I have some reasonable photographs and video of him. There must have been huge crowds outside the tent, because after the show it took me a very long time to get out of the John Peel area.
Six-minute video of the George Ezra show. This features four songs, Budapest, Listen to the Man, Shotgun and Pretty Shining People.
Search for Mary and Ed
Having escaped the mayhem of the John Peel Stage, I decided to meet up with Ed and Mary. Eventually I met them at Williams Green where we had a few drinks. Still tasteless beer, Covid has a lot to answer for. We headed to the Pyramid Stage to see the last few minutes of Elbow playing. It is remarkably easy to get reasonably close by walking down the matting track in the centre, down to the mixing booths. Must remember that for next year.
Elbow, Pyramid Stage 17:45-18:45
The Bootleg Beatles, Acoustic Stage 18:30-19:30
We all headed up to the Acoustic Stage to see the Boot Leg Beatles. After which Ed and Mary had to go to work, so I left for the West Holts stage.
Angélique Kidjo, West Holts 20:00-21:00
Angélique Kidjo is singer-songwriter, actress, and activist. Her musical influences include the Afropop, Caribbean zouk, Congolese rumba, jazz, gospel and Latin styles. This was an excellent performance, and she came into the pit, so was awfully close to me at one stage.
The rest of the evening descended into a blur, with much time spent in the theatre area, watching the walkabout theatre groups.
That was the end of Glastonbury 2022, and on Monday I headed back home with very little delay getting out of the site.
